The Blair Witch Project – A True Horror Classic

…It’s the way in which they verbalize their dread and incredible anxiety that shakes you as a viewer…

Caution: Spoilers

I mean, honestly, if you’re a horror fan and haven’t seen this movie already, you’re seriously missing out.

The Blair Witch Project is a found footage style horror film that follows 3 college students filming a documentary about the legend of the Blair Witch. We’re introduced to Heather, who rallies up Josh and Mike to help her produce a film with the intention of finding answers for the strange happenings revolving around the Black Hills forest.

During the first 10 minutes or so, you’re getting used to the style of filming. The cameras are all over the place, the actors seem to talk over each other a lot, but somehow this seems to draw the viewer in more. I found myself relating to this type of scenario – in college working on a group project with a couple classmates that don’t really seem all too interested in the actual content itself.

Their plan was a simple one – find some cool, scenic shots, narrate some stories, set up camp for a night and wrap up the film. They get some nice b-roll shots, Heather talks about some of the lore and they finally set up camp. In the morning they venture off on a “shortcut” that Heather believes will take them directly back to their car. I’m sure you could guess that this “shortcut” was a mistake.

So far, there really isn’t anything significantly scary that’s happened yet. However, once they begin to realize they might be lost, you can feel the anxiety and panic emanating from Mike as he begins to get frustrated with Heather and starts to yell for help. His emotions feel real, and I explain why that is at the end of this review. So, keep reading!

This movie is pretty disorienting, so forgive me if my timeline is incorrect. I’m pretty sure the second night is when shit gets real. Heather, Josh and Mike are all sleeping in their tent when they’re woken up by noises that sound like walking. All of a sudden their tent begins to shake and voices can be heard outside. The 3 students sprint out of the tent into the darkness of the woods. As they’re all trying to guide each other with screams and the lights from their cameras, you hear Heather yell, “What the fuck is that!?” about something that’s completely out of frame.

Remember, this is a found footage film. As they’re running, you’re only getting glimpses of trees, brush and their legs as they’re trying to get distance from whatever was near their tent. So when Heather sees something off camera, your imagination begins to run wild as to what she caught sight of.

The next day during their venture, Heather goes to grab the map they’d been using as a guide and realizes it’s gone. The boys, that are now a bit delirious, begin laughing and joking about how lost they are and poking fun at Heather for losing the map. Then, as if snapping them all back into reality, Mike ends up blurting out that he kicked the map into the stream because “it wasn’t helping anyway.” This sends Heather and Josh into a full blown spiral, verbally and physically attacking Mike for doing something so selfish and stupid. The way that their moods and demeanor change so abruptly is chilling. From lighthearted giddiness to full blown emotional breakdown…it’s pretty wild.

Following this, I believe we cut straight to the next morning where Heather wakes up and emerges from the tent only to realize that Josh is missing. She calls for him a few times to see if he responds and when he doesn’t, she wakes Mike up. Here is where the genuine emotion truly gets a rise out of the viewer.

The first blood-curdling scream of the film is Heather calling for Josh. The pure fear and emotion coming from the single syllable of his name genuinely shocks you to your core. I’m telling you, once you hear how she screams for him, it’ll be seared into your memory. Mike joins in on calling out for Josh, and in pure terror, he yells, “Tell me where you are, Josh!” It’s the way in which they verbalize their dread and incredible anxiety that shakes you as a viewer. You hear the painful realization of how dire this situation truly is for them.

After calling out for Josh for hours, Mike finds one lone cigarette at the bottom of his bag. Heather puts the camera against a tree with Mike in frame, squatting on the ground, taking small puffs as to pull every last bit of comfort from the nicotine. Heather walks over, squats next to him, he hands her the cig and she rests her head on his shoulder.

Another incredibly simple, but impactful moment…Heather finds something and is panicking, but won’t tell Mike what she found. As she’s trying to put on the ginormous hiking backpack, her hair gets caught. In the most defeated and pitiful way, she quietly and vulnerably says, “My hair is caught.” This particular moment in this scene deeply resonated with me. The simplicity of how she said it, mid-panic attack and sobbing…it felt way too familiar. Reluctantly asking for help in the midst of losing your grip on reality.

Of course, we have the iconic scene of Heather speaking into the camera. Truly, this is the most iconic scene in horror film history. You need to watch it for yourself. (Wait until you read why.)

Finally, we have the last night. The two are woken up by what sounds like Josh yelling for help. They’re drawn further and further into the woods until they find an abandoned house. The disorientation gets worse and they’re drawn upstairs, then downstairs to the basement. Mike, running ahead of Heather yells out, “I hear him downstairs!” Another iconic quote, in my humble opinion. The way he says it, anxiously, but also with the minute sense of hope that they’ve finally found him. The last 30 seconds or so, all you hear is Heather screaming out for Mike, with no response. Heather finally reaches the basement to find Mike standing in the corner. Her camera drops.

Now, what if I told you that every single quote and scene I referenced was completely improvised by the actors? That’d be nuts…right?

Well, guess what. Turns out that the directors had many unconventional tendencies with just about every aspect of this film. From auditions to scripting, nothing was the norm. Heather, Josh and Mike were given a script with zero dialogue. On top of that, the directors kept their distance from the actors throughout filming, so there was very little foresight into what was going to happen in each scene. WHICH MEANS, not only were their lines completely improvised, their emotions and panic were 100% authentic and genuine reactions to what was going on around them.

My friend Nicholas, who is a writer himself, expressed his thoughts based solely on his memory of the film, “I wonder if that’s why it felt so real.”

It felt so real because these actors weren’t acting.

After learning this, my obsession with this movie has grown exponentially. The Blair Witch Project is officially in my top movies considering everything the actors went through…and apparently are still going through.

I know I mentioned on my Instagram that I wanted to include my 2 cents about the lawsuits, however I didn’t want to take away from the review itself. I’ll be writing up a separate piece that dives into the numerous lawsuits that these actors have and are currently dealing with. But, for now, we’ll leave it here.

I hope you enjoyed the read! When and if you end up watching (or re-watching) this film, let me know your thoughts in the comments. I’d love to know how and if your perspective has changed knowing what you know now.

Make sure to subscribe with your email to get all my future posts (including The Lawsuits piece) delivered directly to your inbox.

Until next time, my spooky friends.

Sources:

This article has some more super interesting information about the film, directing and actors: https://people.com/true-story-behind-the-blair-witch-project-8685471

Skinamarink – An Introspective Take

“…As all of this is going on, the viewer can only attempt to desperately put pieces together to make it make sense in their own head…”

Caution: SPOILERS (sort of?)

[It’s difficult to say that this review will really have spoilers because…well…the entire movie doesn’t have much context to begin with besides a very loose plot. The biggest spoiler I think would be how this movie is actually filmed. Other than that, there really isn’t much that I could spoil unless I go into excruciatingly painful detail about some of the scenes. The entire movie is as vague as the brief description is. Two children find themselves home alone with no means of escape, seemingly held by some sort of trickster entity lurking in the darkness.

Enticing. I know.]

So, I kept seeing Skinamarink under “recommended” on numerous streaming platforms. I never checked out the trailer until right before I watched it, but I thought it seemed creepy based on the movie stills alone.

Surprise! I decided to watch it. And I think I liked it.

If you watch the trailer, you pretty much spoil the entire theme of the movie yourself. I actually thought it was one of those trailers that purposefully doesn’t give much away and keeps it vague intentionally.

Well… everything the trailer shows is basically what the movie is.

The first descriptor that comes to mind? Unsettling.

The atmosphere and sense of dread alone could give anyone goosebumps, but what really adds to the creep factor are the camera angles.

In every single shot of this movie, you’re forced to think, “Was this really filmed this way on purpose?” Each shot looks like a mis-take – some are out of focus, most are peaking around corners or only filming the children’s feet pitter-pattering down the hallway when they get frightened by whatever they’re stuck in the house with.

Not to mention, the majority of the dialogue between the two kiddies is whispering back and forth, assuming as to not alert the entity of their whereabouts. What’s even creepier, is that the camera will stay in one place as you hear the children whispering, walking past and fading into the darkness, without ever seeing them in the frame.

It’s not until about halfway through the movie that we realize what they’re stuck in the house with is some kind of shape-shifter. It mimics their mother, the viewer is forced to assume, and when they get close, they’re spooked by loud shouting or growling in a gurgled, deep voice that doesn’t even sound human. Or, in other scenes, toys and furniture move on their own, noises and glass shatters come from rooms just out of view and things are thrown around, including the children at some point if I’m recalling correctly.

As all of this is going on, the viewer can only attempt to desperately put pieces together to make it make sense in their own head. You’re either staring at odd angles with small child-like shadows being cast on the walls, or you’re staring at an empty room while hearing a muffled commotion from the next room over, not ever having a clear view of what the hell is actually going on.

Every aspect of this movie is left up to each individual viewer’s interpretation. With no clear indication of the actual plot besides children being alone in an overtly spooky house with no means of escape, this just adds to the uneasiness of it all. Especially when you realize that there’s something trapped inside with them.

So… if you’re attempting to get a very loose idea of what this movie consists of, we have:

Kids home alone.
Dark, spooky house.
No adults to be found.
A mysterious, shape-shifting entity.
And no escape.

I saw a handful of viewers relating the story back to childhood fears of the dark, or even a young child’s perception of abuse within their family. I guess I could see how viewers could connect those dots, but after my own deep thoughts and examination about this film, I feel there are no dots to connect.

Skinamarink was left open to the viewer’s own unique interpretation, and how it translates itself is up to the individual watching it.

My closing thoughts are this – I really liked Kyle Ball‘s bold and unusual decision to direct this film the way that he did. I feel like a lot of horror movies are predictable these days. I felt as if I was being dragged through this movie as if I’m one of the kids trying to figure out what’s going on and how I’m going to get out of that house. I really reflected on this movie and I genuinely appreciate the effort that was put into it.

My final point: How you perceive the film says more about you than the film.

I encourage you to watch this movie and come to your own conclusions about what is going on here. A rainy, chilly evening in October sounds like the perfect vibe for an unsettling, suspenseful journey.

And hey, I’m publishing this just in time for spooky season! If you watch it, I’d love to hear your thoughts.

Until next time, buds.