Terrifier Notes

  • “you think i’m kidding? I’ll do it myself” – foreshadowing?
  • the way my jaw hit the floor?!?!? the brutality of how she killed her, and absolute madness and chaos of that happening within the first 5 minutes and twenty one seconds of this movie left me SPEECHLESS
  • I actually thought this was like a nightmare or something, not that she was actually dying
  • “I am in for it”
  • “i don’t feel like dying tonight” when they’re arguing over the keys
  • The tension between tara and Art is fantastic
  • Art making faces at her bc she’s staring at him is fantastic
  • Dawn on the other hand is fucking nuts
  • “did you think he was going to heck me up into little pieces or something?” – foreshadowing?
  • I really think I found my new favorite horror movie
  • The proposal – his “favorite”?
  • The fact that he’s a mime too, no sounds, no grunts, no talking – fantastic
  • You already knew that the pizza shop staff was getting it after they kicked Art out
  • Honestly, that pizza shop scene, iconic
  • Tara’s sister is actually going to get them?
  • THE OWNER’S HEAD AS THE JACK O LATERN!!!!!!!!!!!
  • I mean honestly the other pizza guy didn’t deserve it, poor dude
  • OOO the flashing between the girls talking about their thoughts about him and him slashing tf out of the cook
  • Also Art still not making a sound the entire time he’s murderin is terrifying (get it)
  • The pest control guy?? NAME IS MIKE THE EXTERMINATOR”… Is this building where Art is from? Is he a helper? Asking if she remembered how they got in?
  • I would’ve peed on the street lol
  • Okay, i knew Art was going to end up getting in the car instead of Tara. I felt that shit
  • friendly reminder to not investigate strange noises in strange places <333
  • The woman Tara finds is actually so sweet??
  • “punctuality is the theif of time, dear”
  • THINGS HAPPEN VERY QUICKLY!!!! ART STANDING THERE LIKE “THERE YOU ARE!” IS FUCKING INSANE
  • The way Art moves in and out of view of the cars is sickening, I love it
  • The way these scenes build tension is incredible
  • He’s just brutal dude. When he’s stabbing he is making sure he’s doing damage
  • TARA IS AN AMAZING MC
  • I wonder if the woman she ran into is his mother or something
  • I FOROGT ABOUT THE SISTER COMING TO GET THEM
  • Oh no not her yelling for the exterminator and letting art know where she is.
  • Art is like “brother finally i got her” after he injects tara
  • The lighting on Art is sick. Him psyching her out like he’s going to hit her is SICK
  • Bro his garage bag had all his weapons in it
  • It’s like he messes with her bc she was fighting him the whole time
  • Oh no way bro.. Dawn.
  • NO WAY NO WAY
  • brother. I am speechless and needed a minute. I am completely stunned
  • ART DOESNT EVEN SCREAM WHEN SHE STABS HIM WHAT – he is truly terrifying dawg
  • when art is in the dark and the camera creeps up behind him like he’s the one being hunted now. TARA IS AMAZINGGG MC
  • Her making him get up is so metal
  • A GUN BRO???? I ITERALLY YELLED WHAT THE FUCK
  • Art’s side eye is amazing
  • Aw man I was really thinking he’d tara live
  • him shooting her in the cheek….did he not want to end it? did he think it was entertaining that she fought him?
  • His eye roll when the gun runs out of ammo, my god. why is he a mood?
  • Vicky calling, def gonna say “I’m outside”
  • Idk why but him texting her back threw me off
  • THE SELFIE WITH DAWN OH NO LOL
  • He’s so unconventional
  • okay disregard the letting tara live or not wanting to kill her
  • OMG THE CAT LADY DOESN’T KNOW WHAT HE DOES? I THOUGHT SHE WAS A KNOWER
  • Cat lady telling the exterminator everything is insane, i really thought she knew
  • also why is the exterminator an asshole
  • cat lady and her relationship to the doll??? related to Art somehow?
  • oh no Art with the cat lady’s doll,
  • “is there kindness in you?”
  • I think Art plays up to each person’s personality??
  • Omg no Mike’s boss showing up lol everyone dying baby my god
  • Her walking down to where the phone is ringing from to find them??
  • there was so much going on from the beginning and now it feels like a lull in suspense
  • not a fan of VIcky just yelling around the buliding when clearly there’s a killer in there???
  • The yell from the basement…the cat lady…? 😦
  • BRO THE BAMBOOZLEMENT OF ART PRETNEDING TO BE THE WOMAN!?!?!
  • Brother this movie is so unhinged – when Art is walking around naked with the cat lady’s skin on him
  • My god. the sawing through Will the exterminator was just killer. but like, the pieces of skin dangling, nice.
  • BRUH DID HE HAVE TO KICK HIS HEAD LIKE THAT LOL
  • about 3 quarters of the way through feeling kind of exhausted i think – like the flip flopping between absolute killer slasher shit and comedy aspects
  • the way i gasped and laughed at Art popping in on the mini bike. Bro. lmao
  • AND HE’S ZOOMIN AROUND ON THE BIKE NOW LOL
  • i wonder if there’s so many rats bc they help clean up after his killings?
  • Why didn’t bestie girl go through the door Will came from? Idk where that is tho
  • Also friendly reminder, rip a hole in the plastic where your mouth is
  • ART FLIPPING HER OFF AFTER SHE STABS HIS FOOT LMAO BROOOTHER
  • MIKE IS ALIVE!!!!!!!!!!!!!
  • It’s actually so sad to see Tara. BUT ALSO IS SHE FROM THE INTERVIEW IN THE BEGINNING?
  • ooo the brutality of him hitting her with the thing
  • GASSSSPPPPP MIKEEEEE!!!!!!!!!!!
  • why is mike giving weird vibes???
  • wait maybe hes a real one
  • NOOOOO OH NOO MIKEEEEEE
  • Art laughing like “you thought you guys were leaving”
  • his acting is so incredible
  • Why did she get outside to back inside…?
  • LMAO ART WITH THE HORN BROTHER MY GOD
  • no are the sierns fake?
  • Art jammin in the car lol
  • WAIT NO HOW’D HE EVEN HIT HER WITH THE CAR it looked like she was out of the way
  • UH BROTHER HE’S EATING HER??????????????????????
  • WHOAA HIM SHOOTING HIMSELF??
  • OHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH VICKY WAS FROM THE INTERVIEW IN THE BEGINNINGGGGGGGGGGGGGGGG metal af
  • Is Art something like Michael Meyers?
  • Art’s eye looking at him when it was rolled back when he shot
  • “you’re really going to like it here”??????
  • Dude there’s no way. Seriously?
  • I was on edge the entire movie. I couldn’t tell until the end credits came on and breathed a sigh on RELIEF

Sinister Notes

  • the intro then panning to the broken tree in the back yard is awesome
    the names of the tapes are so clever lol
  • ethan watching the films with a notepad is me right now
  • the sound of the ropes when he goes outside to look at the tree – nice touch
  • the montage of him putting the film in is cool
  • the sounds in the second film – ick – music/sounds from films are uncomfortable, eerie,
  • him going to take a drink and the glass is empty while watching the second film
  • ethan trying to figure out how to edit the film back together, also cool
  • that tree keeps coming into frame is cool
  • using the phone flashlight is pretty sick, you can tell they really used that too bc it’s not lighting up anything lol
  • the cop is such a great supporting character – “snakes don’t have feet” / the fan girling is so comical
  • when he takes the screenshot of the face and stands in front of it – it’s like a stand off
  • the face moving in the still on the computer – iconic
  • when he holds the screenshot up to the window and pulls it down to see the face outside
  • scorpion, snake, doggo – manifestations, yes
  • the way they introduce the kid’s spirits is pretty cool, and how their movements are making actual noise in the house and making him move around
  • the light work when they’re fighting in the bedroom, him sitting in the shadow and moving in and out of the light, the wife mostly in the light…and then they switch places with her in the shadow
  • “your kids are your legacy” – the twist of the kids being the killers and their own families legacies bc they were never found
  • the scene of him waking up, going into the attic, the kids and the thing up there, spooky but wish it was creepier
  • ugh the hope of them actually leaving and the movie ending there.
  • knowing what was going to happen, sick to my stomach dawg
  • the images gateways – ethan’s screenshots of the stuff
  • the darkness behind him at the desk…..foreshadowing of what loooms
  • “the problem is that you moved” … “you not only sped up his timeline, you put yourself in it”
  • the goosebumps of stephanie swinging on the parent’s leg….
  • the glowy green stuff in the coffee was a bit corny
  • the twist that they would have been safe at the previous home, maybe just a little sage + protection magick

Blair Witch Notes

SCENES:

  • the little kid freaking out when the mom is telling a story about the witch is a nice touch – UNSCRIPTED
  • guy took 2 kids down to basement, 1 faces the corner while the other one is killed – HARDCORE FORESHADOWING
  • all the ‘interviews’ seem so authentic and like real people retelling stories
  • when you really pay attention to the stories and back story of the blair witch, it’s actually incredibly unsettling and i found myself getting super uneasy and uncomfortable
  • why doesn’t heather tell mike about what she found
  • heather screaming for mike to wait kills me man, paired with the overlayed footage
  • brother. that very last scene of mike standing in the corner and her screaming at him and the camera dropping.
  • i cannot believe how impactful that scene STILL is. literally almost brought tears to my eyes.

FILMING:

  • the overlaying of audio and mismatched video is fun and a nice touch
  • the iconic scene of heathers face right in the camera. oh man. so impactful, such great fucking acting brother AND her looking off to the side while she’s filming, bruh
  • actors, phenomenal. concept, phenomenal. filming, phenomenal. casting, phenomenal.

ACTORS:

  • the innocence of Heather IN THE BEGINNING
  • the panic that Mikey emits is anxiety inducing; you actually feed off Mikey’s panic a bit, he seems like the only one that’s understanding the actual serevity of being so lost in the woods, aside from those woods being incredibly haunted
  • OOF that first scream for Josh from Heather is heartwrenching
  • you can see the defeat, shame, agony grow on each of their faces throughout the entire film – WHICH IS WILD BC THIS IS THEIR TRUE DETERIORATION OF SANITY

QUOTES:(Even better bc they’re unscripted)

  • “we’ll all look back on this and laugh heardily” – saying from a real thought regarding filming?
  • “we light fires, they know” – mikey – the directors? or what’s in the woods?
  • “what the fuck is that!?” to something out of frame!!!!!
  • “i can see why you like this video camera so much. it’s not reality” – GET WHOLE QUOTE OF THIS
  • “tell me where you are Josh” from mike. HEARTWRENCHING
  • the simplicity of her saying “my hair is caught” mid-panic attack, crying, after she found the stuff- OOF, felt that shit
  • “it was my project, and I insisted. I insisted on everything.” / “hungry and cold and hunted” / “i’m scared to close my eyes, i’m scared to open them”
  • “i hear him downstairs” – also iconic
  • “that was a very uncomfortable movie. very uncomfortable.” – my mom

Green Room is Metal AF

“… I’m talking machetes, dogs, chainsaws… there was no holding back…”

Caution: Spoilers

What better way to hop back into reviews than with some suspenseful gory horror? Last week while I was painting, I was chatting with a horror movie king, and he recommended Green Room. Quote on quote, “YOU NEED TO WATCH THAT ONE.” I had to watch it when I could pay attention, so I kept it in the back of my head for a week and here we are. I chose to not watch the trailer or even read the summary before I hit “Start Now”. It was quite the choice, but I’m glad I went into it blind. It made it more insane.

Green Room follows an up and coming band trying to book some gigs to get their name out there. Though, I can’t recall if the name of the band was even given. It’s almost like the creators didn’t want us to be too invested in their story, as opposed to the movie’s story line. (Unless I completely forgot or didn’t hear the name, of course.) There’s 4 members: Pat, Sam, Reece, and Tiger. It’s interesting because the first couple of scenes are a bit disorienting and appear to be cut short. I was kind of confused at first, but truly it ended up feeling like they just cut out less important scenes to make sure they included all the good stuff later on.

The first show they do sucks because all of the bands pulled out and they’re the only ones performing. A no-name band that no one really knows, not many people are going to show up. The group is pissed because they were banking on getting paid from the event, and they only ended up getting $6 each. The guy that hooked them up with the gig tries to make it up to them by recommending his cousin Daniel’s venue that has a pretty decent line up the next day. They’re strapped for cash, so they take him up on the offer.

Now, the guy that recommended his cousin’s place warns them that this particular venue attracts and is owned by… well… white supremacists, and to try not to piss these people off. They note it, although not taking him too seriously, and head out.

They drive out to the venue, meet Daniel and another guy, Gabe, who gets them all set up and ready for their set. They go into the dressing room and there’s a whole bunch of things you’d imagine a venue that loves white supremacists would have. Tiger, the lead singer, decides their first song is going to be a nice ‘fuck you’ to the bigots, but remember, they need their money. They’re not trying to get kicked out by being too combative. They end up playing through their set and during it, there’s a really dope, slow-mo montage of everyone moshing. It’s pretty sick. Right before this montage, there’s a brief moment where Pat notices a girl with dark hair taking money from people in the crowd. She’s super pretty, but almost seems out of place and a tad suspicious. As she moves out of frame, we get a glimpse of Gabe in the background, with a somber look on his face. I actually didn’t note this scene in my notes while I was watching, but everything came flooding back once I began writing about the movie from the beginning.

The band finishes their set, all their things are outside in the hallway, and they’re getting ready to get paid and leave. Sam realizes she left her phone charging on the counter in the dressing room. Pat says, “Don’t worry, I’ll get it,” and walks into the room. He unplugs her phone from the wall, turns around and is frozen in place trying to process what he just walked into.

That pretty dark haired girl? On the floor with a knife in her head. He looks to his right to see a blonde girl hysterical and 2 huge guys (who are part of the venue staff) staring back at him. Everyone is still until they aren’t, and this scene had me in a choke hold. Everything happens so fast. The 2 guys lunge at Pat trying to grab him and his phone. As this is happening, Pat dials 911 and actually gets through! He makes it out of the room and is frantically trying to explain, while slipping through the fingers of the men, that there’s been a stabbing and someone is dead. The rest of the band immediately jumps into action, trying to grab him and pull him through, and trying to move past the other 2 dudes in the hallway. But, they’re trapped. The largest guy that was originally escorting them out of the venue peeks into the room and says something along the lines of, “I told you to keep this door locked.” Gabe seems to realize what’s happened, takes Pat’s phone and makes his way out of the hallway. He says going to take care of it and everyone just has to ‘hang tight’. The band is told to wait there, guarded by the very men that might have just killed this girl.

Now, I know I said spoilers, but I can only include so many details… I’m leaving a lot out… mostly because this blog post would end up being like 10,000 words long. It’s better to see and experience the movie for yourself so you can clock all of the little details that make this movie so incredibly anxiety inducing and sick (in a good way). Long story short, they end up barricading themselves in the dressing room, quickly get acquainted with Amber, the dead girl’s friend, and begin to brainstorm how they’re going to get out of there alive.

We’re soon introduced to Darcy, who’s played by Patrick Stewart of all people. The absolute confusion when I first realized it was him was comical. I don’t think I had ever seen him in a horror movie before this one. Have any of you?? Anyway…

Darcy is no bullshit. He’s the owner and what he says goes. He makes it very clear that they’re not leaving without going through him and his goon squad. When I tell you, they are legitimately like a S.W.A.T team swarming the venue leaving no means of escape. To make matters worse, Darcy says they can use anything but guns (at first). I’m talking machetes, dogs, chainsaws… there was no holding back. They wanted zero witnesses to what happened.

There’s a quick scene before they make their first attempt to leave the room where Pat, who has lost a shit ton of blood after getting his arm butchered (agonizingly refraining from going into detail about this), where he tries to tell a story of when him and the other boys went paint balling. He explains that this situation feels similar to that day because they were paired up with ex-marines who were tactical, using hand signals, and essentially, were playing like they were really on the battlefield. I don’t know what it was about this scene, but it resonated. Like, these are just chill people who were at the wrong place at the wrong time and are now fighting for their lives. There’s a quote from Pat a little later in the movie where he references this paint ball game again and says, “They knew real war, they played real war,” and I have to admit, this was probably the best way to describe the power plays of Darcy’s men vs. the band and Amber.

Our poor 5 captives try their best to escape and take whatever they can from the dressing room to fight back, and, well… let’s just say only 3 of them return to the room. As a little hint to what happens, I don’t think I’ve seen anything as brutal as a dog tearing someone’s throat out. (Okay, maybe that one scene from the first Terrifier movie, IYKYK, but this doggo scene was pretty gnarly.)

There are some cool, quite surface level, but cool backstories that come into play that add some insight as to how and why the girl was killed and why the people that run the venue are so brutal. I kind of wish we had a weeee bit more backstory dialogue, but truthfully, the way the movie played out, I’m not mad about it.

Now, a character that had piqued my interest waaaay more was Gabe. He was the one that helped the band prepare for their set, the guy that was on the scene when they found the dead girl in the dressing room, and who informed Darcy of the situation. Essentially, Darcy’s right hand. Throughout the entire movie, even from the moment he took all of their phones when shit first went down, I couldn’t tell if this dude was going to end up helping them in some way. For reasons like the scene where we see him in the background watching the girl that was about to be murdered – his face kind of seemed to not be completely invested or committed to whatever Darcy had brewing. It was just a vibe.

In about the last 20 minutes or so of the movie, they show Gabe entering the venue with 2 guys who were expected to finish off our last 2 survivors, while he walked around cleaning up some of the mess from all of the previous brutalities. My notes were so back and forth. Every few bullet points I had, “Hm, Gabe is sus,” then a few down, I’d write, “OMG he’s totally helping them!”, then, “hm..maybe not.” This guy seriously confused me the most. I feel like he was too terrified to stand up to Darcy, but given the opportunity, without Darcy’s knowledge, would have helped them in some capacity…

In one of the final moments of the movie, there is, what I consider, an iconic quote from one of our survivors when confronting Darcy. They say, “It’s funny. You were so scary at night.” and proceeds to fuck him up. Satisfying is an understatement, especially since it takes our survivors a little too much time to start ripping through the remaining bad dudes. Oh, and remember the doggo scene I mentioned earlier? Well, the very last scene of the movie, our survivors are sitting on the ground, in disbelief that they’re alive. In the distance, you hear what sounds like chains jingling. It’s the dog. They weakly raise their guns while the dog trots right past them, not even acknowledging the empty clicks of them trying to shoot it point blank.

Literally up until the last scene of the movie, they make references to small details or talking points from earlier scenes in the movie. I always love catching things like that because sometimes you’ll forget a funny moment or smaller detail of something from the beginning, and when they refer back, it’s like a “Oh shit, nice!” moment. I really love when screenwriters come full circle with things like that.

Listen, I know this was a long one, and I really didn’t include TOO many spoilers or go in depth too much, but honestly if I did, this would be 10x as long and you wouldn’t finish reading it anyway. There was SO much that happened in those 90 minutes, it would have taken forever to go through everything scene by scene like I usually do. If you’re that curious, go watch the damn movie 😝 It’s only about 90 minutes, and honestly it doesn’t even feel that long because of the constant state of anxiety from the moment they find the dead girl. It’s literally 100mph until the very end. Everything happens so fast and there’s so much going on that it’d be difficult to effectively explain every single brutal scene in this one post.

It’s a solid 9/10 in my humble opinion. Shout out to Joey for the rec! 😊

I’m going to be posting more often, so follow @bloomingwithenergy on IG and make sure you’re subscribed to get my new posts and other updates sent directly to your email!

Xox ♡

Lady

Lady
How I’ve missed you
With your hands around me
And the smell of your perfume

It’s been so long
Since I’ve seen your face
Since your heartbreak
Recovered

We don’t have to talk
Right now
But one day
I’d like to know how
You managed to leave

With your head
And your heart
All in one piece

I Did A Photo Shoot!

A couple weeks ago, my friend Devon asked if I’d be down to do a photo shoot for spooky season. He’d been playing around with film lately and had just gotten some black and white film that he wanted to test out. Of course, I said yes! This was my first photo shoot ever and it was so much fun.

When he asked me where I wanted to shoot, I had no clue. Naturally, I asked my mom if she had any ideas, and she suggested the Mohonk Preserve Testimonial Gateway in New Paltz. We utilized the eeriness of the stone structure and nearby woods to capture some really cool moments and visuals on film. Then, we went back through to capture them on his digital camera as well. Flip through and check out the digital photos in the gallery below!

About Devon:

Devon Wood is a photographer, videographer and content creator born and raised in the Hudson Valley, NY. He’s always used photos and videos for both storytelling and as a therapeutic, expressive outlet. Outside of creating, he enjoys the outdoors, television, movies and sports. Follow him on Instagram: @unrealdevonwood

About The Location:

In 1908, the “Smiley Testimonial Gateway” was built as a 50th wedding anniversary gift for Albert Keith Smiley and Eliza Phelps Smiley, the founders of Mohonk. Around 1,200 of the couple’s friends contributed the funds that would help build such a monumental structure and create the perfect entrance to the Mohonk property. If you visit, be sure to look for the inscription over the arch of the gateway that leads to the 3.2 miles of walkway through a line of trees that is quite a beautiful site to see.

Sources:

https://abouttown.us/articles/the-testimonial-gateway/

Terrifier… is Terrifying

“…Aside from his outright absolute brutality, his mannerisms and demeanor make him such an unconventional character…”

CAUTION: SPOILERS

(I had no idea what I was in for with this movie…)

SURPRISE! I watched Terrifier, and brethren, I was not mentally or emotionally prepared whatsoever. I had been wanting to watch this movie for some time, and since Terrifier 3 came out on a day I happened to be home and wasn’t feeling well, I thought, “Perfect! I’ll add the first one to my Spooktober list and surprise the gang.”

If you don’t know, Terrifier is a slasher with our main man being Art the Clown. This guy dresses up in a black and white clown outfit, and is essentially a mime. He doesn’t utter a sound throughout the entire movie, which just adds to his sadistic nature. And… well… that’s it. We don’t get any backstory in Terrifier, but I do know that there’s a prequel called All Hallow’s Eve that adds a little bit of insight to who the hell Art is. But, yeah… no one is safe from this dude, and even when you think there might be some humanness to him, you are quickly proven wrong.

I was quite literally not ready for what transpired in that ~90 minutes of pure chaos. Just the opening scene itself! From the first 5 minutes until about halfway through this movie, you’re on the edge of your seat wondering where the fuck these directors heads were at making this and are they like… mentally sane? And I say “until halfway through the movie” because there is a bit of a lull where things go from 100 to 0 pretty drastically. I feel like that might have been on purpose to give the audience some time to breathe in-between the absolute madness that occurs.

There’s a scene in a pizzeria where Tara and Dawn (our mc girlies) are trying to sober up before they drive home. Art, who has already been seen by the girls, sits down at a table across from them. Tara and Art have the best stare-down, tension building moment. When they lock eyes, Art begins to make faces at her, seemingly trying to get a reaction, but Tara is stone cold. One of the workers at the pizzeria asks Art to order something or GTFO. There’s a bit of a struggle and Art leaves.

Blink and you miss it, but at the pizzeria there’s a jack-o-lantern on top of the glass case where they put the pies. Of course, as you might have guessed, these dudes have no chance of making through the rest of this movie. BUT when one of the guys comes out from the backroom looking for his co-worker, he’s met with Art, covered in blood with a big ole knife in hand. As he’s being attacked we get a glimpse of the missing co-workers head on the glass case, which replaced the jack-o-lantern, lit up and all. If you’re not completely sickened by the gore and slashing that occurs, it’s actually pretty hysterical.

After the pizza shop interaction, I literally wrote in my notes, “I really think I found my new favorite horror movie.” What that says about me, I dunno. We’re a judgement-free zone here, okay? The reason why I like this movie so much is because everything happens so quickly and there’s no time to process what’s going on. It’s almost as if the directors were trying to get the audience in a real Fight or Flight of what they’d do in each situation. It’s so wild to experience.

I’m not going to go too much into detail about some of the scenes because you need the unawareness going into this movie if you haven’t seen it. I refuse to spoil the shock factor!!!

Now, let me talk about Art the Clown as a character. Aside from his outright absolute brutality, his mannerisms and demeanor make him such an unconventional character. Like honestly, there’s some shocking ways that Jason Voorhees, Michael Meyers and Freddy Kruger kill their victims, but nothing compares to Art’s style and savagery.

The acting by David Howard Thornton is impeccable. The way in which he utilizes his entire body to express his emotions is beyond impressive. When he’s reacting to certain things that take place, his expressions are so over-the-top that it’s relatively easy for the viewer to guess what he would be saying if he could speak. (I assume there’s a reason he can’t… unless it’s a voluntary attribute that Art takes upon himself to implement… which would make his character even more insane than he already is.)

He’s brutal, man. When he’s attacking people, he’s making sure he’s getting them good. I also feel like he plays up to each victim’s personality, almost like he’s mocking them. Like with Tara, since the pizzeria incident, the antagonistic style of his attacks and torture mimicked the way he was egging her on sitting at the table with his facial expressions. There’s another character, who is referred to as the “Cat Lady” according to casting, who is clearly homeless and mentally ill. She has a doll that she thinks is her daughter and Art takes advantage of her motherly instinct after she asks him, “Is there kindness in you?” And I swear, you start to think for a second that she possibly makes some type of impact with how she asks him that question. Unfortunately, no one is safe in this movie. Literally every single person that enters the chat is not safe in any capacity.

Another thing that really freaked me out was that, even when Art was stabbed and beaten by some of our brave characters, he doesn’t utter a peep, dude. Like no noise at all. Then will shoot the camera a side-eye or an eye-roll breaking that third wall and you’re like… “Are you kidding..?” Then he does some shit like popping into the room on a mini bicycle to chase one of the girls. Or when he pulls out one of those oversized clown horns to tease one of the victims. He even gives the finger to a girl that bamboozles him in the midst of them duking it out. Nothing is serious to this guy and it makes it ever so slightly easier to watch, but man, the barbarism is enough to really fuck you up.

To be completely honest, though, I really dig Art the Clown as a horror icon, and, dare I say, he’s my favorite. If you’ve seen the movie, you absolutely know what I mean. He’s a goof and he’s actually pretty funny, just in really fucked up ways. Some of the scenes are so detailed and so raw, and then we have Art sprinkling in humor, like he’s playing up the sadistic clown stereotype. He’s truly the best at it.

I will say, about 3 quarters of the way through, I was feeling kind of exhausted, like the flip flopping between absolutely wild slasher scenes and unexpected comedy. It’s like, not only does Art play with the emotions of his victims, but he plays with the audience’s emotions as well. I couldn’t tell how on edge I was during the entire movie until the end credits came on and I involuntarily breathed a sigh of RELIEF. The ruthlessness of how he kills people is just so profound, it makes you physically, verbally and emotionally react to what’s happening. I felt like I was traumatized for a couple days after the fact.

I’d assume Art is something like Michael Meyers or Jason because of the sequels, Terrifier 2 and Terrifier 3. This guy just keeps coming back. Although, truthfully, I think I’d stand more of a chance against Michael or Jason than Art. If you found yourself in one of the Terrifier movies, there’s little to no hope for you, bestie. Sorry!

You’re probably wondering if I’m planning on seeing the sequels… and absolutely I am! I’m spacing them out though. I haven’t decided if I’ll be writing reviews for those yet, but make sure you’re subscribed so you’ll be the first to know if I do!

Let me know in the comments or on the socials if you’ve seen Terrifier, and if you agree with my thoughts about Art the Clown. That’s all I have for this one.

Stay tuned for my next Spooktober horror review!

Xox

Sinister – An Eerie All-Time Favorite

“…The face is almost antagonistic, challenging the author to not only figure out what’s going on here, but emanates, “Are you sure you want to do this?”…”

CAUTION: SPOILERS

[I will say that nothing beats the first time watching this. I kind of wish I hadn’t seen it before so that this review would be a bit more emotionally charged, but it is what it is.]

The opening title screen is a doozy. If you know, you know. If you don’t, stop right here, go watch the movie and come back.

We’re met with a family of four moving into their new home. The father, Ellison, is an author whose best-seller is a true crime story that actually helped solve an unsolved murder case. In the kitchen, Ellison is chatting with his wife who makes him promise that they didn’t “just move into a house where a family was murdered.” Well… with the context of the opening title scene and a slow panning of the camera, we realize that this writer has indeed moved his family into a house where the previous family had been murdered. Technically, he wasn’t breaking any promises, though, because they were killed in the backyard. (Please let me know if you get that reference.)

Rather quickly, Ellison finds a box in the attic with an old-school projector and film rolls. There are 5 tapes that are labeled: “Pool Party ’66,” “BBQ ’79,” “Lawn Work ’86,” “Sleepy Time ’98” and “Family Hanging Out ’11”. Naturally, his curiosity gets the best of him and he brings them to his office to watch with whiskey in hand.

I have to say, I did giggle a bit when he first sits down with his notepad and beverage. I was like… “Oh my god, that’s me right now taking notes.”

The first video he watches is “Family Hanging Out ’11”, which takes place at the home they’ve just moved into. It shows the family playing in the backyard, seemingly unaware that they’re being filmed. Suddenly, the film cuts to 4 of the family members standing under a large branch, their heads covered, hands tied behind their backs and ropes around their necks. We switch over to Ellison, who went from casually sipping, relaxing in his chair to sitting straight up, eyes widened and in utter shock and disbelief of what he’s about to witness. An adjacent branch, which starts to break, has the ropes attached to it…meaning that once that branch begins to fall, the leverage would pull the ropes up. I’m sure you can assume the outcome. Then, the film ends.

Ellison immediately leaves his office and heads to the backyard where the tree with the broken limb stands towering over him. As he looks up, we’re at the perspective of looking down from the limb where the family’s lives ended. If you don’t pay attention you’ll miss it, but amongst the sound of the wind, you can hear what sounds like ropes rubbing against the bark, as if the family was still hanging there. This was such a subtle detail, yet a masterful one.

We won’t go through each tape, but Ellison does go through and watch each one. He realizes that there’s one child missing from each family’s tape. Instinctively, he grabs his phone and dials 911. The operator answers, only to get no response. He stops, glances over at his previous best-seller and hangs up the phone. At this point, he’s convinced he’s just found his big break for his next true crime novel.

There are some cool moments while he’s watching the other films. They include a dope montage of him loading up the projector with film and setting everything up. However, they totally used the same montage later in the movie. The sounds and music paired with each film differ, but, of course, they’re creepy as hell. Not only are the films themselves already gut-wrenching, but the addition of the odd music and weird sounds make it all the more uncomfortable.

There comes a point when Ellison notices that there’s a face that appears in each film. He’s able to transfer stills onto his computer, prints them and hangs them on his cork board. The first time he glares at one of the images, it’s like a standoff. The face is almost antagonistic, challenging the author to not only figure out what’s going on here, but emanates, “Are you sure you want to do this?” It’s ultimately an incredibly powerful scene. Ellison gets in contact with an occult professor, sends him these images and we learn that this mysterious face could be an ancient demonic entity that preys on children.

The missing children are introduced in a pretty unique way. Ellison can’t see them, but as a viewer, you’re able to see them zooming around the house in slow-motion while Ellison is moving at regular speed. The kids’ movements coincide with noises around the house that grab his attention, forcing him to move from one room to the other. They’re messing with him, trying to confuse him and using his curiosity against him.

The last night at their new home, Ellison gets drawn back up to the attic when he hears some thumps in the night. When he makes his way through the hatch, he’s met with the children sitting on the floor in front of the entity, and they all slowly turn to look at him. It’s just as anticlimactic as it sounds, honestly. This scene was a bit underwhelming compared to how the rest of the film was shot. I’m not sure if that’s because I’ve seen it before, but I wasn’t overly fond of how it was executed.

After this, Ellison wakes up his whole family and says they need to leave. Then, they end up cutting to the family moving back into their old house. Everyone’s happy, the lighting of the film is brighter and for the first time in a horror movie, you might be thinking, “Oh hell yeah, they actually left before shit got too real.”

Wrong-o.

Ellison gets a call from the professor who explains this entity’s goal is to receive a sacrifice from its worshipers in order to “save” them. As the camera cuts back, we see Ellison sitting alone at his desk with the deepest darkness looming behind him, as if to visibly display his impending doom. He gets a phone call from Officer So-And-So, who he’s been sending to voicemail all night. As he answers the phone, he takes his coffee that his daughter brought to him before she went to bed. The officer explains that he did his own research about the filmed murders. He tells Ellison, “The problem is that you moved… You not only sped up his timeline, you put yourself in it.”

Turns out that each family that died had lived in the preceding murdered family’s home. Once the family moved, they were murdered. Does that make sense? So, because Ellison moved his family out of the home he thought was haunted, he now put his family in this murderous timeline. When he hears this, he looks down at his mug to find a glowing green liquid swirling around in his coffee. He drops his phone, then the mug and hits the floor.

I remember being absolutely floored (no pun intended) when they explained that twist. Anyone would think that if you’re in a potentially haunted house and seeing little ghost children that moving out is the best option. Apparently not! That’s the point of the kids harassing Ellison in the first place. They spooked him to get them to move so the entity’s timeline could persist. But how wild of a twist is that!? They would have survived had they stayed at the previous home! Who knows, maybe a little sage could have made the kids eff off.

Sadly, as you might have already assumed, the author and his family become victims themselves, adding to the collection of tapes. I really didn’t divulge TOO much about this movie because the first-time watch is unparalleled. If you haven’t seen this movie, PLEASE do yourself a favor and watch it ASAP. You will not be disappointed.

I hope you enjoyed my thoughts on Sinister! I encourage you to watch this movie and share your reactions in the comments. October is only halfway over – plenty of time for some well-deserved spooks!

Stay tuned for my next review…it’s pretty terrifying.

The Blair Witch Project – A True Horror Classic

…It’s the way in which they verbalize their dread and incredible anxiety that shakes you as a viewer…

Caution: Spoilers

I mean, honestly, if you’re a horror fan and haven’t seen this movie already, you’re seriously missing out.

The Blair Witch Project is a found footage style horror film that follows 3 college students filming a documentary about the legend of the Blair Witch. We’re introduced to Heather, who rallies up Josh and Mike to help her produce a film with the intention of finding answers for the strange happenings revolving around the Black Hills forest.

During the first 10 minutes or so, you’re getting used to the style of filming. The cameras are all over the place, the actors seem to talk over each other a lot, but somehow this seems to draw the viewer in more. I found myself relating to this type of scenario – in college working on a group project with a couple classmates that don’t really seem all too interested in the actual content itself.

Their plan was a simple one – find some cool, scenic shots, narrate some stories, set up camp for a night and wrap up the film. They get some nice b-roll shots, Heather talks about some of the lore and they finally set up camp. In the morning they venture off on a “shortcut” that Heather believes will take them directly back to their car. I’m sure you could guess that this “shortcut” was a mistake.

So far, there really isn’t anything significantly scary that’s happened yet. However, once they begin to realize they might be lost, you can feel the anxiety and panic emanating from Mike as he begins to get frustrated with Heather and starts to yell for help. His emotions feel real, and I explain why that is at the end of this review. So, keep reading!

This movie is pretty disorienting, so forgive me if my timeline is incorrect. I’m pretty sure the second night is when shit gets real. Heather, Josh and Mike are all sleeping in their tent when they’re woken up by noises that sound like walking. All of a sudden their tent begins to shake and voices can be heard outside. The 3 students sprint out of the tent into the darkness of the woods. As they’re all trying to guide each other with screams and the lights from their cameras, you hear Heather yell, “What the fuck is that!?” about something that’s completely out of frame.

Remember, this is a found footage film. As they’re running, you’re only getting glimpses of trees, brush and their legs as they’re trying to get distance from whatever was near their tent. So when Heather sees something off camera, your imagination begins to run wild as to what she caught sight of.

The next day during their venture, Heather goes to grab the map they’d been using as a guide and realizes it’s gone. The boys, that are now a bit delirious, begin laughing and joking about how lost they are and poking fun at Heather for losing the map. Then, as if snapping them all back into reality, Mike ends up blurting out that he kicked the map into the stream because “it wasn’t helping anyway.” This sends Heather and Josh into a full blown spiral, verbally and physically attacking Mike for doing something so selfish and stupid. The way that their moods and demeanor change so abruptly is chilling. From lighthearted giddiness to full blown emotional breakdown…it’s pretty wild.

Following this, I believe we cut straight to the next morning where Heather wakes up and emerges from the tent only to realize that Josh is missing. She calls for him a few times to see if he responds and when he doesn’t, she wakes Mike up. Here is where the genuine emotion truly gets a rise out of the viewer.

The first blood-curdling scream of the film is Heather calling for Josh. The pure fear and emotion coming from the single syllable of his name genuinely shocks you to your core. I’m telling you, once you hear how she screams for him, it’ll be seared into your memory. Mike joins in on calling out for Josh, and in pure terror, he yells, “Tell me where you are, Josh!” It’s the way in which they verbalize their dread and incredible anxiety that shakes you as a viewer. You hear the painful realization of how dire this situation truly is for them.

After calling out for Josh for hours, Mike finds one lone cigarette at the bottom of his bag. Heather puts the camera against a tree with Mike in frame, squatting on the ground, taking small puffs as to pull every last bit of comfort from the nicotine. Heather walks over, squats next to him, he hands her the cig and she rests her head on his shoulder.

Another incredibly simple, but impactful moment…Heather finds something and is panicking, but won’t tell Mike what she found. As she’s trying to put on the ginormous hiking backpack, her hair gets caught. In the most defeated and pitiful way, she quietly and vulnerably says, “My hair is caught.” This particular moment in this scene deeply resonated with me. The simplicity of how she said it, mid-panic attack and sobbing…it felt way too familiar. Reluctantly asking for help in the midst of losing your grip on reality.

Of course, we have the iconic scene of Heather speaking into the camera. Truly, this is the most iconic scene in horror film history. You need to watch it for yourself. (Wait until you read why.)

Finally, we have the last night. The two are woken up by what sounds like Josh yelling for help. They’re drawn further and further into the woods until they find an abandoned house. The disorientation gets worse and they’re drawn upstairs, then downstairs to the basement. Mike, running ahead of Heather yells out, “I hear him downstairs!” Another iconic quote, in my humble opinion. The way he says it, anxiously, but also with the minute sense of hope that they’ve finally found him. The last 30 seconds or so, all you hear is Heather screaming out for Mike, with no response. Heather finally reaches the basement to find Mike standing in the corner. Her camera drops.

Now, what if I told you that every single quote and scene I referenced was completely improvised by the actors? That’d be nuts…right?

Well, guess what. Turns out that the directors had many unconventional tendencies with just about every aspect of this film. From auditions to scripting, nothing was the norm. Heather, Josh and Mike were given a script with zero dialogue. On top of that, the directors kept their distance from the actors throughout filming, so there was very little foresight into what was going to happen in each scene. WHICH MEANS, not only were their lines completely improvised, their emotions and panic were 100% authentic and genuine reactions to what was going on around them.

My friend Nicholas, who is a writer himself, expressed his thoughts based solely on his memory of the film, “I wonder if that’s why it felt so real.”

It felt so real because these actors weren’t acting.

After learning this, my obsession with this movie has grown exponentially. The Blair Witch Project is officially in my top movies considering everything the actors went through…and apparently are still going through.

I know I mentioned on my Instagram that I wanted to include my 2 cents about the lawsuits, however I didn’t want to take away from the review itself. I’ll be writing up a separate piece that dives into the numerous lawsuits that these actors have and are currently dealing with. But, for now, we’ll leave it here.

I hope you enjoyed the read! When and if you end up watching (or re-watching) this film, let me know your thoughts in the comments. I’d love to know how and if your perspective has changed knowing what you know now.

Make sure to subscribe with your email to get all my future posts (including The Lawsuits piece) delivered directly to your inbox.

Until next time, my spooky friends.

Sources:

This article has some more super interesting information about the film, directing and actors: https://people.com/true-story-behind-the-blair-witch-project-8685471

Skinamarink – An Introspective Take

“…As all of this is going on, the viewer can only attempt to desperately put pieces together to make it make sense in their own head…”

Caution: SPOILERS (sort of?)

[It’s difficult to say that this review will really have spoilers because…well…the entire movie doesn’t have much context to begin with besides a very loose plot. The biggest spoiler I think would be how this movie is actually filmed. Other than that, there really isn’t much that I could spoil unless I go into excruciatingly painful detail about some of the scenes. The entire movie is as vague as the brief description is. Two children find themselves home alone with no means of escape, seemingly held by some sort of trickster entity lurking in the darkness.

Enticing. I know.]

So, I kept seeing Skinamarink under “recommended” on numerous streaming platforms. I never checked out the trailer until right before I watched it, but I thought it seemed creepy based on the movie stills alone.

Surprise! I decided to watch it. And I think I liked it.

If you watch the trailer, you pretty much spoil the entire theme of the movie yourself. I actually thought it was one of those trailers that purposefully doesn’t give much away and keeps it vague intentionally.

Well… everything the trailer shows is basically what the movie is.

The first descriptor that comes to mind? Unsettling.

The atmosphere and sense of dread alone could give anyone goosebumps, but what really adds to the creep factor are the camera angles.

In every single shot of this movie, you’re forced to think, “Was this really filmed this way on purpose?” Each shot looks like a mis-take – some are out of focus, most are peaking around corners or only filming the children’s feet pitter-pattering down the hallway when they get frightened by whatever they’re stuck in the house with.

Not to mention, the majority of the dialogue between the two kiddies is whispering back and forth, assuming as to not alert the entity of their whereabouts. What’s even creepier, is that the camera will stay in one place as you hear the children whispering, walking past and fading into the darkness, without ever seeing them in the frame.

It’s not until about halfway through the movie that we realize what they’re stuck in the house with is some kind of shape-shifter. It mimics their mother, the viewer is forced to assume, and when they get close, they’re spooked by loud shouting or growling in a gurgled, deep voice that doesn’t even sound human. Or, in other scenes, toys and furniture move on their own, noises and glass shatters come from rooms just out of view and things are thrown around, including the children at some point if I’m recalling correctly.

As all of this is going on, the viewer can only attempt to desperately put pieces together to make it make sense in their own head. You’re either staring at odd angles with small child-like shadows being cast on the walls, or you’re staring at an empty room while hearing a muffled commotion from the next room over, not ever having a clear view of what the hell is actually going on.

Every aspect of this movie is left up to each individual viewer’s interpretation. With no clear indication of the actual plot besides children being alone in an overtly spooky house with no means of escape, this just adds to the uneasiness of it all. Especially when you realize that there’s something trapped inside with them.

So… if you’re attempting to get a very loose idea of what this movie consists of, we have:

Kids home alone.
Dark, spooky house.
No adults to be found.
A mysterious, shape-shifting entity.
And no escape.

I saw a handful of viewers relating the story back to childhood fears of the dark, or even a young child’s perception of abuse within their family. I guess I could see how viewers could connect those dots, but after my own deep thoughts and examination about this film, I feel there are no dots to connect.

Skinamarink was left open to the viewer’s own unique interpretation, and how it translates itself is up to the individual watching it.

My closing thoughts are this – I really liked Kyle Ball‘s bold and unusual decision to direct this film the way that he did. I feel like a lot of horror movies are predictable these days. I felt as if I was being dragged through this movie as if I’m one of the kids trying to figure out what’s going on and how I’m going to get out of that house. I really reflected on this movie and I genuinely appreciate the effort that was put into it.

My final point: How you perceive the film says more about you than the film.

I encourage you to watch this movie and come to your own conclusions about what is going on here. A rainy, chilly evening in October sounds like the perfect vibe for an unsettling, suspenseful journey.

And hey, I’m publishing this just in time for spooky season! If you watch it, I’d love to hear your thoughts.

Until next time, buds.